![]() ![]() Nothing so clearly demonstrates the shift in Leighton’s style from German-trained history painter to French-inspired aesthete than the paintings of La Nanna executed in Rome during the winter of 1858-59, of which three were exhibited at the Royal Academy in London the following spring. ![]() Staley, The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement, New Haven and London, 2011, pp. Buhrs (eds.), Frederic Lord Leighton: Painter and Sculptor of the Victorian Age, Munich, Berlin, London, New York, 2009, p. Prettejohn (eds.), Frederic Leighton: Antiquity, Renaissance, Modernity, New Haven and London, 1999, p. Barlow, 'Transparent bodies, Opaque Identities: Personification, Narrative and Portraiture', in T. Ormond, 'Leighton and the Pre-Raphaelites', The Review of the Pre-Raphaelite Society, IV, 2, Summer 1996, p. Newall, The Art of Lord Leighton, Oxford and New York, 1990, pp. Dorment, British Painting in the Philadelphia Museum of Art, Philadelphia, 1986, pp. ![]() Dorment, ‘A Roman Lady by Frederic Leighton’, Philadelphia Museum of Art Bulletin, LXXIII, June 1977, pp. Staley, Lord Leighton of Stretton, P.R.A., London, 1906, pp. ![]() Mrs Russell Barrington, Life, Letters & Work of Frederic Leighton, vol. Rhys, Frederic Lord Leighton, London, 1898, p. ![]()
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